Sunday, November 29, 2020

Betrayal vs, Love as the Human Condition.

Now I’m at the end of my life, in my seventies, I look back at my long travail and I feel weary, beat, depleted of my reserves of optimism, hoping to end it all. Yet at the same time I can say, for all the beat-ups and betrayals, I still had a great life, I went for it like a whirling dervish and squeezed it of maximum euphoria, adventure and achievement. I didn’t need to push my way to the front to receive some gilt statue, it was enough to read an inspiring book, hear some soulful music, dance abandoned by a fabled sea, and watch a sunset from a temple atop the highest mountain in the world.

So before I go let me tell you about one man’s tough journey, a tale both harrowing and informative. In the veritable dark ages of 1955, a five year old child was left to run wild on the streets of an inner-city Melbourne slum. He didn’t seem to have any guardians, no mother or father, only an old grandmother who was always in the front room of the house attending to his dying grandfather. He was as cute as a kewpie doll, with huge blue eyes, a Tony Curtis cow-lick hanging down upon his forehead and an angelic, shy smile. He was new to the neighborhood and lonely, desperate for friends.

When he tried to befriend the bigger kids across the road one of them, for no good reason except heartless cruelty, kicked him viciously in the balls. The pain was explosive, the attack incomprehensible, as if innocent beauty had to be destroyed. He ran home holding his crotch and writhed upon his bed in an agony that lasted several days. Yet he didn’t relinquish his desire for friendship and he tried again to approach the nasty lords of the flies as they played upon their veranda.

He was fascinated by a pile of glass baubles they were fingering, the scintillating lights of which were psychedelic in his impressive mind. He put his hand upon the gate and asked if he could join them to which they yelled, “No! Go away!” And then they slammed the metal gate upon his thumb, crushing it, a fountain of blood spurting out upon their precious gems. He shrieked in dismay as they shuddered in horror. He ran home to his grandmother who quickly bandaged the wound and soothed his broken spirit.

To compensate for the trauma she took him to his first movie at a cinema nearby, a convict melodrama starring Alan Ladd and Patricia Medina called “Botany Bay”, the protagonists in chains and getting whipped, a fitting allegory for what life held in store for him in class bound Australia, of slaves, whip-masters and callous captains. Yet at the same time the silver-screen magic of sailing ships and exotic destinations thrilled the boy and fired his imagination with the possibilities of life entwined with art, if one could only find the wherewithal to realize one’s dreams.

Not long after a little girl up the street was having a birthday party and her parents built her a stage in their backyard upon which she was going to perform a song and dance, like a spoilt Shirley Temple. An audience of local kids and their parents gathered to watch the little genius, only she had a hissy fit and wouldn’t go on. They waited an eternity and our little blue-eyed, scene stealing Tony Curtis look-a-like lost patience and jumped upon the stage and performed Doris Day’s latest hit, “Que Sera Sera”, tap-dancing to the beat and singing perfectly note for note.

The audience clapped along, enjoying his act enormously but party-girl was furious, she'd been upstaged. She enlisted a few cohorts and they rushed upon the podium and pushed him off the edge to land hard upon his arse, and everybody laughed at his humiliation, as if it were a clown act.

All this drama was a reality check for the little boy who henceforth sang the blues. The world in general was not fair, people could be insufferably cruel, and even the smallest ray of limelight was precious to ego-maniacs and fought over with no compunction.

For the rest of his life his path was blocked by the (not so) hidden agendas of class, tribalism, nepotism, fame-whores, backstabbers, plagiarists, brain-washers and power-players, desperate wannabes willing to sell their souls for money and fame. And in the face of this ugly rat-race many applaud the brats, winners are grinners no matter how they won, and losers are boozers no matter what great work they’ve done. For a gay boy from skid-row it was a hundred times more difficult, more tortuous, more unjust.

This flawed human condition left him bewildered as he believed in caring, sharing, co-operating, informing, entertaining for the joy of it, remaining that naive five year old at heart for much of his life. Beware, for those who snigger at this story are probably one of the cold fish who screwed him over and cold fish they remained, all their lives with just a hook in their mouth to show for it.


Possibly the greatest betrayal of his life happened at the very beginning when, as a one year old baby, his father hit him because he was crying and knocked him off the bed to crack his head against a dressing table. It was a rude awakening. Next, after beating his mother to a bloody pulp and having her taken away in an ambulance, at three years old he was told his mother was dead, never to return. This was devastating and untrue, a betrayal he could not get over, perhaps leading him to grow up queer and recalcitrant, with an oppositional defiance disorder.

While minor betrayals dogged him, such as being beaten up at school by the bullies because he was a dysfunctional sissy, the next truly major betrayal happened when he was nineteen and studying to be a nurse in a large hospital. An older nurse befriended him and, as a trusted big brother, got him to confess his homosexuality, convincing him he had a mental illness because of it. He was encouraged to attend a clinic in Kew called Newhaven where a shrink offered him psylocybin therapy, ten trips would straighten him out and turn him into a model, placid citizen.

What he wasn't told was that the clinic was in actuality a secret cult, The Family, with a mad woman named Anne Hamilton-Byrne at its head, pretending to be a new messiah and hoping to pair his reformed masculinity off with one of her nurses, "aunties", and produce blue eyed babies she could then sequester on a bushland farm and get ready to take over the world after the apocalypse. His friend, the older male nurse, had been sent out into the world to recruit acolytes, never telling them the truth. We shall call the protagonist of our story Billy, everybody's favorite son, he had four mind-bending trips that changed his life, but ran away without finishing the course as he intuited something mighty amiss with Newhaven, the shrink and the aunties. he only learned the truth some years later, reading about the scandal in a newspaper, and was shocked that friendship had been betrayed so egregiously in the hope of claiming his soul for nefarious, insane purposes.

Newhaven Clinic
Anne Hamilton-Byrne

In 1971 Billy ran away to India to find himself and take plenty more LSD to get on top of the heebie jeebies, to find his strength and confidence, and get over his fears of Satan and the Heavenly Father fighting for his soul. His next great betrayal happened after he returned to Australia in 1976, when he discovered part of his life-calling was to be an artist but little realising the gladiator pit of cut-throat back stabbing arseholes he was entering into.

He has blabbed about the ruthless rat race of the Australian art scene ad nauseum in other stories, no need to bore everyone again. At the end of his life he could say he'd achieved his dreams, had the swashbuckling pirate's adventures, danced abandoned in synch with huge crowds of revelers, created hundreds of paintings, made 7 films, published 3 books, had 21 lovers, read 3000 books, seen 7000 movies, hugged life to his heart and smiled free in the rain. In the end, love can overcome betrayal, and he loved life. He was content.